Starring: Dhanush, Nayantara, Raguvaran, Karthick, Karunas, Mano Bala
Direction: Jawahar
Music: Yuvan Shankar Raja
Production: R.K. Productions
‘You guys going to work?” asks a distressed and unemployed Karunas - accompanied by Dhanush - to a few girls waiting in the bus station. There you have the quintessential Danush plot: a jobless Youngman, his love-at-first-sight, a far from considerate and a subject-of-abuse father, and a love embroiled in an inconsiderate relationship. Yaaradi Nee Moghini is smartly packaged with everything inevitable in a Dhanush movie. With subdued emotions that hardly ever go overboard and in your face humor, director A. Jawahar gets everything right. Well, almost Dhanush is a happy go lucky guy desperately in search of a job despite his bare minimum qualifications. One of those job-search episodes makes him catch a glimpse of Nayan who works for a software company. Dhanush falls instantly in love and luck favors him to secure a job in the same company, much to his delight, in Nayan’s team.
Dhanush has immense scope in a role that is tailor-made for him and he pulls it off with consummate ease. Be it as a distraught jobless youngster or a love struck man craving for the impassive dream girl, the job couldn’t have fit anyone else this well. Nayan dispels her bombshell act and proves that she can more than just that. She breaks into tears when needed, shows vicious contempt when rubbed the wrong way in the name of love, and looks endearing in songs.
Raghuvaran’s performance deserves a standing ovation and is a proof of how magnificent an actor he was. Ironically, there are scenes in the movie that has Dhanush perform Raghu’s last rituals that will reduce a viewer to tears.
Director Jawahar has neatly packaged the movie with less melodrama that is surprisingly tad unusual for a movie that focuses on a love story of a girl hailing from an orthodox family. Yuvan’s rerecording breathes life into the movie. So do the songs. Three of them linger long after you have left the theatre. Special mention must be made of the item number performed by a desi Shakira in the train that averts folks from sneaking out of the halls for a smoke. Kudos to the cinematographer who has captured
If you do not mind the usage of crude language, especially between a father and a son, and the dialogues in general that seem a little bent towards a B and C center audience, you are in for a total treat in the Dhanush brand style.
Verdict: Few fries short of a happy meal
Rating: 2 Stars on 5
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