Popeye

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Popeye

Popeye the Sailor is a comic strip character, later featured in popular animated cartoons. He was created by Elzie Crisler Segar and first appeared in the daily King Features comic strip Thimble Theatre on January 17, 1929.

Segar's first Thimble Theatre strip was published on December 19, 1919. Shortly after Popeye's introduction the sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features' most popular strips during the 1930s. Thimble Theatre was carried on after Segar's death in 1938 by several writers and artists, including Segar's assistant Bud Sagendorf. The strip, now titled Popeye, continues to appear in first-run installments in Sunday papers, written and drawn by Hy Eisman.

In 1933, Max and Dave Fleischer's Fleischer Studios adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and the Fleischers - and later Paramount's own Famous Studios - continued production through 1957.

Since then, Popeye has appeared in comic books, television cartoons, a 1980 live-action film (Popeye, directed by Robert Altman), arcade and video games, and hundreds of advertisements and peripheral products.

Fictional character biography

In most appearances to date (except during the World War II era), Popeye is a middle-aged independent sailor (or "sailor man," as he puts it) with a unique way of speaking, muscular forearms with two (sometimes one) anchor tattoos, thinning red hair, and an ever-present corncob pipe (which he toots like a steamship's whistle at times). Despite some mistaken characterizations over the years, Popeye is generally depicted as having only one blue eye, his left. (In at least one Fleischer cartoon, Bluto refers to Popeye as a "one-eyed runt.") It has never been revealed specifically how Popeye lost his right eye, though he claims it was in "the mos' arful battle" of his life. (Later versions of the character would have both eyes, with one of them merely being squinty, or "squinky" as he put it).

Popeye's strange, comedic, and often supernatural adventures take him all over the world, and place him in conflict with enemies such as the Sea Hag and Bluto. His main base of operations is the fictional town of Sweet Haven. Popeye's father is the degenerate Poopdeck Pappy, who does not share his son's moral righteousness and is represented as having abandoned Popeye in some sources. Popeye's sweetheart (and in some sources, wife) for over 77 years has been Olive Oyl, although the two characters often bickered, especially at the beginning of Popeye's appearances. Popeye is the adoptive father of Swee'Pea, an infant foundling left on his doorstep. (Sweet Pea is a term of affection used by Popeye; in the cartoon We Aim to Please, he addressed Olive Oyl as "Sweet Pea" at one point.)

In addition to a gravelly voice and a casual attitude toward grammar, Popeye is known for having an apparent speech impediment (a common character-distinguishing device in early cartoons), which either comes naturally or is caused by the ever-present pipe in his mouth. Among other things, he has problems enunciating a trailing "t". Thus, "fist" becomes "fisk" (as sung in his song, which makes it conveniently rhyme with "risk") and "infant" becomes "infink". This speech impediment even found its way into some of the titles of the cartoons.

Popeye is depicted as having superhuman strength, though the nature of his strength changes depending on which medium he is represented in. Originally, the comic-strip Popeye revealed that he had gained his strength by rubbing the head of the rare Whiffle Hen. He later said he was strong because he ate spinach. The animated shorts attributed Popeye's strength to what condition he was in. Even in his most normal everyday condition he was ridiculously strong, but if he became worn out or beaten, he would eat spinach which would restore and amplify his strength to an even greater level (at normal strength Popeye appears capable of lifting or pressing approximately 4000 lbs; when amplified by spinach he can lift or press about 36 tons). Other differences in Popeye's story and characterization show up depending upon which medium he is presented in. While Swee'Pea is definitively the adopted child of Popeye in the comic strips, he is often depicted as being related to Olive Oyl in cartoons. The cartoons also occasionally feature family members of Popeye that have never appeared in the strip, notably Peepeye, Pupeye, Pipeye, and Poopeye, his look-alike nephews.

Paramount Pictures

Thimble Theatre and Popeye comic strips

Thimble Theatre was created by King Features Syndicate comic writer/artist E.C. Segar, and was his third published strip. The strip first appeared in the New York Journal, a newspaper operated by King Feature’s owner William Randolph Hearst, on December 19, 1919 before later expanding into more papers. In its early years, the strip featured characters acting out various stories and scenarios in theatrical style (hence the strip's name).

Thimble Theatre's first main characters/actors were the thin Olive Oyl and her boyfriend, Harold Hamgravy. After the strip moved away from its initial focus, it settled into a comedy-adventure style featuring Olive, Ham Gravy, and Olive's enterprising brother Castor Oyl. Olive's parents, Cole and Nana Oyl, also made frequent appearances.

First appearance of Popeye

Popeye first appeared in the strip on January 17, 1929 as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye was shot many times by a stooge of Fadewell's but survived by rubbing Bernice's head.

The Popeye character became so popular that he was given a larger role, and the strip was expanded into many more newspapers as a result. Though initial strips presented Olive Oyl as being less than impressed with Popeye, she eventually left Ham Gravy to become Popeye's girlfriend. Over the years, however, she has often displayed a fickle attitude towards the sailor. Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures.

In 1933, Popeye received a foundling baby in the mail, whom he adopted and named "Swee'Pea". Other regular characters in the strip were J. Wellington Wimpy, a moocher and a hamburger lover who would "gladly pay you Tuesday for a hamburger today" (he was also soft-spoken and cowardly, hence his name); George W. Geezil, a local cobbler who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; and Eugene the Jeep, a yellow, vaguely dog-like animal from Africa with magical powers. In addition, the strip featured the Sea Hag (a terrible pirate, as well as the last witch on earth), and Alice the Goon, a monstrous creature who entered the strip as the Sea Hag's henchman and continued as Swee'pea's baby sitter.

Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in the cartoons (King Blozo, for example). Spinach-usage was rare and Bluto made only one appearance. Segar would sign some of his early Popeye comic strips with a cigar, due to his last name being a homonym of "cigar" (pronounced as SEE-gar).

Thimble Theatre soon became one of King Features' most popular strips during the 1930s and (following an eventual name change to Popeye in the 1970s) remains one of the longest running strips in syndication today. The strip carried on after Segar's death in 1938, at which point he was replaced by a series of artists. In the 1950s, a spinoff strip was established, called Popeye the Sailorman. Acknowledging Popeye's growing popularity, the Thimble Theatre strip was re-named Thimble Theatre Starring Popeye during the 1960s and 1970s, and was eventually retitled, simply, Popeye, the name under which the strip continues to run.

Artists after Segar

After Segar's death in 1938, many different artists were hired to draw the strip. Tom Sims, the son of a Coosa River channel-boat captain, continued writing Thimble Theatre strips and established the Popeye the Sailorman spin-off. Doc Winner and Bela Zaboly, successively, handled the artwork during Sims's run. Eventually, Ralph Stein took over the writing, and wrote the comic strip until the series was taken over by Bud Sagendorf in 1958.

Sagendorf wrote and drew the daily strip until 1986, and continued to write and draw the Sunday strip until his death in 1994. Sagendorf, who had been Segar's assistant, made a definite effort to retain much of Segar's classic style, although his art is instantly discernible. Sagendorf continued to use many obscure characters from the Segar years, especially O.G. Wotasnozzle and King Blozo. Sagendorf's new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it would sometimes take an entire week of Sagendorf's daily strips for the plot to be advanced even a small amount.

From 1986 to 1992, the daily strip was written and drawn by Bobby London, who after some controversy was fired from the strip for a story that could be taken to satirize abortion. London's strips put Popeye and his friends in updated situations, but kept the spirit of Segar's original. One classic storyline, titled "The Return of Bluto", showed the sailor battling every version of the bearded bully from the comic strip, comic books and animated films. The Sunday edition of the comic strip is currently drawn by Hy Eisman, who took over in 1994. The daily strip began featuring reruns of Sagendorf's strips after London was fired, and continues to do so today.

Theatrical cartoons

In November 1932, King Features signed an agreement with Fleischer Studios, run by producer Max Fleischer and his brother, director Dave Fleischer, to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. The first cartoon in the series would be released in 1933, and Popeye cartoons, released by Paramount Pictures, would remain a staple of Paramount's release schedule for over twenty years.

The plot lines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually Bluto, made a move on Popeye's "sweetie", Olive Oyl. The bad guy then clobbered Popeye until Popeye ate spinach, giving him superhuman strength. Thus empowered, the sailor made short work of the villain.

The animated Popeye shorts were the first stories to suggest that Popeye's enormous strength came from a love of spinach; in the Thimble Theatre strips, Popeye was depicted as disliking the vegetable (a theme later picked up in the Robert Altman Popeye film). The 1954 Popeye cartoon Greek Mirthology depicts the fictional origin of spinach consumption in Popeye's family. Popeye's Greek ancestor, Hercules, originally sniffed garlic to gain his supernatural powers. When the evil Brutus removes the scent of the garlic using chlorophyll (an obvious incongruity), Hercules ends up getting punched into a spinach field, and, upon eating the leafy green substance, finds it empowers him many times more than garlic.

Many of the Thimble Theatre characters, including Wimpy, Poopdeck Pappy, and Eugene the Jeep, eventually made appearances in the Paramount cartoons, though appearances by Olive Oyl's extended family and Ham Gravy were notably absent. Popeye was also given more family exclusive to the shorts, specifically his look-alike nephews, Pipeye, Pupeye, Poopeye, and Peepeye.

Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon (Betty only makes a brief appearance, repeating her hula dance from Betty Boop's Bamboo Isle). It was for this short that Sammy Lerner's famous "I'm Popeye the Sailor Man" song was written. I Yam What I Yam became the first entry in the regular Popeye the Sailor series.

Songwriter Sammy Lerner composed a theme song, "I'm Popeye the Sailor Man", for the first Popeye cartoon, which became forever associated with the sailor. As one cartoon historian has observed, the song itself was inspired by the first two lines of the "Pirate King" song in Gilbert and Sullivan's operetta, The Pirates of Penzance: "For I am a Pirate King! (Hoorah for the Pirate King!)" The tune behind those two lines is identical to the "Popeye" song except for the high note on the first "King".

For the first few cartoons, the opening-credits music consisted of an instrumental of "The Sailor's Hornpipe", followed by a vocal variation on "Strike Up the Band (Here Comes a Sailor)" substituting the words "for Popeye the Sailor" in the latter phrase. As Betty Boop would gradually decline in quality as a result of the Hays Code being enforced in 1934, Popeye would become the studio's star character by 1936.

The character of Popeye was originally voiced by William "Billy" Costello, also known as "Red Pepper Sam". When Costello's behavior became a problem, he was replaced by former in-between animator Jack Mercer, beginning with King of the Mardi Gras in 1935. Both actors performed Popeye's gravelly voice in a similar style. Olive Oyl was voiced by a number of actresses, the most notable of which was Mae Questel, who also voiced Betty Boop. Questel eventually took over the part completely until 1938. William Pennell voiced Bluto during the series' first two years of production, with Gus Wickie assuming the role in 1935

Thanks to the film series, Popeye became even more of a sensation than he had in comic strips. During the mid-1930s, polls taken by theater owners proved Popeye more popular than Mickey Mouse. In 1935, as Popeye was able to surpass Mickey Mouse in popularity, Paramount added to Popeye's popularity by sponsoring the "Popeye Club" as part of their Saturday matinée program, in competition of Mickey Mouse Clubs too. Popeye cartoons, including a sing-a-long special entitled Let's Sing With Popeye, were a regular part of the weekly meetings. For a 10-cent membership fee, club members were given a Popeye kazoo, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl" and opportunities to win other valuable gifts.

The Popeye series, like other cartoons produced by the Fleischers, was noted for its urban feel (the Fleischers operated out of New York City), its manageable variations on a simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. The voices for Fleischer cartoons produced during the early and mid-1930s were recorded after the animation was completed. The actors, Mercer in particular, would therefore improvise lines that were not on the storyboards or prepared for the lip-sync. Even after the Fleischers began pre-recording dialog for lip-sync in the late-1930s, Mercer and the other voice actors would record ad-libbed lines while watching a finished copy of the cartoon.[4]

Popeye Color Features

Fleischer Studios produced 108 Popeye cartoons, 105 of them in black and white. The remaining three were two-reel (double-length) Technicolor adaptations of stories from the Arabian Nights billed as "Popeye Color Features": Popeye the Sailor Meets Sindbad the Sailor (1936), Popeye the Sailor Meets Ali Baba's Forty Thieves (1937), and Aladdin and His Wonderful Lamp (1939).

Later Fleischer Years

The Fleischers moved their studio to Miami, Florida in September 1938 in order to weaken union control and take advantage of tax breaks. The Popeye series continued production, although a marked change was seen in the Florida-produced shorts: they were brighter and less detailed in their artwork, with attempts to bring the character animation closer to a Disney style. Mae Questel, having just started a family, refused to move to Florida, and Margie Hines, the wife of Jack Mercer, voiced Olive Oyl through the end of 1943. Gus Wickie died in 1938, and several other actors, among them Pinto Colvig (better known as the voice of Disney's Goofy), succeeded Wickie as the voice of Bluto between 1938 and 1943.

In 1941, with World War II becoming more of a source of concern in America, Popeye was enlisted into the U.S. Navy, as depicted in the 1941 short The Mighty Navy. His costume was changed from the black shirt and white neckerchief to an official white Navy suit, which Popeye continued to wear in animated cartoons until the 1960s. Popeye periodically appeared in his original costume when at home on shore leave, as in the 1942 entry Pip-Eye, Pup-Eye, Poop-Eye, An' Peep-Eye, which introduced his four identical nephews.

Famous Studios

In May 1941, Paramount Pictures assumed ownership of Fleischer Studios, which had borrowed heavily from Paramount in order to move to Florida and expand into features (Gulliver's Travels and Mister Bug Goes to Town). By the end of the year, Dave Fleischer, who was no longer on speaking terms with his brother, had moved to California to head Columbia's Screen Gems animation studio. Paramount fired the Fleischers and began re-organizing the studio, which they renamed Famous Studios.

Appointing Sam Buchwald, Seymour Kneitel, Isadore Sparber, and Dan Gordon as Famous' heads, production continued on the Popeye shorts. The early Famous-era shorts were often World War II themed, featuring Popeye fighting Nazis and Japanese soldiers.

In late 1943, the Popeye series was moved to all-Technicolor production, beginning with Her Honor the Mare. Paramount had begun moving the studio back to New York earlier that year, and Mae Questel re-assumed voice duties for Olive Oyl. Jack Mercer was drafted into the Navy during World War II, and scripts were stockpiled for Mercer to record whenever he was on leave. When Mercer was unavailable, Questel stood in as the voice of Popeye in addition to her role as Olive Oyl. New voice cast member Jackson Beck began voicing Bluto when the series went to color: he, Mercer, and Questel would continue to voice their respective characters into the 1960s. Over time, the Technicolor Famous shorts began to adhere even closer to the standard Popeye formula, and softened, rounder character designs - including an Olive Oyl design which gave the character high heels and an updated hairstyle - were evident by 1948.

Theatrical Popeye cartoons on television

Famous/Paramount continued producing the Popeye series until 1957, with Spooky Swabs being the last of the 125 Famous shorts in the series. Paramount then sold the Popeye film catalog to Associated Artists Productions (AAP). AAP was bought out by United Artists in 1958 and later merged with Metro-Goldwyn-Mayer, which was itself purchased by Turner Entertainment in 1986. Turner sold off the production end of MGM/UA in 1988, but retained the film catalog, giving it the rights to the theatrical Popeye library.

The black-and-white Popeye shorts were shipped to South Korea in 1985, where artists retraced them into color. The process made the shorts more marketable in the modern television era, but prevented the viewers from seeing the original Fleischer pen-and-ink work, and slowed down the pace of the drawings, as well as the three-dimensional backgrounds created by Fleischer's "Stereoptical" process. These colorized shorts began airing on Superstation WTBS in 1986 during their Tom & Jerry and Friends 90 minute weekday morning and hour long weekday afternoon shows. The retraced shorts were syndicated in 1987 on a barter basis, and remained available until the early 1990s. Turner merged with Time Warner in 1996, and Warner Bros. (through its Turner subsidiary) therefore currently controls the rights to the Popeye shorts.

For many decades, viewers could only see a majority of the classic Popeye cartoons with altered opening and closing credits. AAP had, for the most part, replaced the original Paramount logos with their own. In 2001, the Cartoon Network, under the supervision of animation historian Jerry Beck, created a new incarnation of The Popeye Show. The show aired the Fleischer and Famous Studios Popeye shorts in versions approximating their original theatrical releases by editing copies of the original opening and closing credits (taken or recreated from various sources) onto the beginnings and ends of each cartoon, or in some cases, in their complete, uncut original theatrical versions direct from such prints that originally contained the front-and-end Paramount credits.

The series, which aired 135 Popeye shorts over forty-five episodes, also featured segments offering trivia about the characters, voice actors, and animators. The program aired without interruption until March 2004. The Popeye Show continued to air on Cartoon Network's spin-off network Boomerang until July 1, 2007. The restored Popeye Show versions of the shorts are sometimes seen at revival film houses for occasional festival screenings.

Home video

MGM/UA Home Video had planned a VHS and Beta release of the Fleischer and Famous Studios cartoons in 1983. However, UA was informed by King Features Syndicate that only King Features had the legal right to release Popeye cartoons on video. United Artists did not challenge King Features' claim, and the release was canceled. While King Features owns the rights to the Popeye characters, and licensed the characters to appear in the Fleischer/Famous cartoons, King Features does not have any ownership in the films themselves.

A clause in the original contract between Paramount Pictures and King Features stated that after ten years, the prints and negatives of the Popeye cartoons were to be destroyed, a clause the syndicate had for all of its licensed properties. The clause was never enforced for Popeye.

While most of the Paramount Popeye catalog remained unavailable on video, a handful of Popeye cartoons from the 1930s through the 1950s had fallen into public domain and were made available on numerous low budget VHS tapes and later DVDs. Among these cartoons are a handful of the Fleischer black and whites, several 1950s Famous shorts, and all three Popeye Color Specials. When Turner Entertainment acquired the cartoons in 1986, a long and laborious legal struggle with King Features kept the majority of the original Popeye shorts from official video releases for more than twenty years. King Features instead opted to release a DVD boxed set of the 1960s made-for-television Popeye cartoons, which it retained the rights to, in 2004.

In 2006, Warner Bros. reached an agreement with King Features Syndicate and its parent company Hearst Corporation. Warner Home Video announced it would release all of the Popeye cartoons produced for theatrical release between 1933 and 1957 on DVD, restored and uncut. The studio also plans to release DVD sets of the Popeye cartoons made for television in the 1960s, 1970s, and 1980s, the rights to which are controlled by Hearst Entertainment. This is similar in most respects to the Looney Tunes Golden Collection DVD sets also released by Warner, except the Popeye shorts will be released in chronological order.

The first of Warners' Popeye DVD sets, covering the cartoons released from 1933 until early 1938 was released on July 31, 2007. Popeye the Sailor: 1933-1938, Volume 1, a four-disc collector’s edition DVD, contains the first 60 Fleischer Popeye cartoons, including the color specials Popeye the Sailor Meets Sinbad the Sailor and Popeye the Sailor Meets Ali Baba’s Forty Thieves. A second volume of Popeye cartoons from Warner Home Video, covering the cartoons from the rest of 1938 to the final black and white Popeye cartoon (released in 1943) is scheduled for release in June 2008. It will include the final color Popeye special Aladdin and his Wonderful Lamp.

Original television cartoons

In 1960, King Features Syndicate commissioned a new series of Popeye cartoons, but this time for television syndication. Al Brodax served as executive producer of the cartoons for King Features. Mercer, Questel, and Beck returned for this series, which was produced by a number of companies, including Jack Kinney Productions, Rembrandt Films, Larry Harmon Productions and Paramount Cartoon Studios (formerly Famous Studios). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years, with the first set of them premiering in the autumn of 1960, and the last of them debuting during the 1961-1962 television season. Since King Features had exclusive rights to these Popeye cartoons, about half of them were released on DVD as a 75th anniversary Popeye boxed set in 2004.

For these cartoons, Bluto's name was changed to "Brutus," as King Features believed at the time that Paramount owned the rights to the name "Bluto." Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences-as well as characters like King Blozo and the Sea Hag.[9] The 1960s cartoons have been issued on both VHS and DVD.

On September 9, 1978, The All-New Popeye Hour debuted on the CBS Saturday morning lineup. It was an hour-long animated series produced by Hanna-Barbera Productions, which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus to his original name of Bluto), while complying with the prevailing content restrictions on violence. In addition to providing many of the cartoon scripts, Jack Mercer continued to voice Popeye, while Marilyn Schreffler and Allan Melvin became the new voices of Olive Oyl and Bluto, respectively (Questel actually auditioned for Hanna-Barbera to recreate Olive Oyl, but was rejected in favor of Schreffler). The All-New Popeye Hour ran on CBS until September 1981, when it was cut to a half-hour and retitled The Popeye and Olive Show. It was removed from the CBS lineup in September 1983, the year before Jack Mercer's death. These cartoons have also been released on VHS and DVD. During the time these cartoons were in production, CBS aired The Popeye Valentine's Day Special - Sweethearts at Sea on February 14 (St. Valentine's Day, of course), 1979. In the UK, the BBC aired a half-hour version of The All-New Popeye Show, from the early-1980s to 2004.

Popeye briefly returned to CBS in 1987 for Popeye and Son, another Hanna-Barbera series which featured Popeye and Olive as a married couple with a son named Popeye Jr., who hates but respects spinach. Maurice LaMarche performed Popeye's voice; Jack Mercer had died in 1984. The show lasted for one season.

In 2004, Lions Gate Entertainment produced a computer-animated television special, Popeye's Voyage: The Quest for Pappy, which was made to coincide with the 75th anniversary of Popeye. Billy West performed the voice of Popeye; after the first day of recording, his throat was so sore he had to return to his hotel room and drink honey. The uncut version was released on DVD on November 9, 2004; and was aired in a re-edited version on FOX on December 17, 2004 and again on December 30, 2005. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee' Pea, Wimpy, Bluto (who is Popeye's friend in this version), Olive Oyl, Poopdeck Pappy, and The Sea Hag as its characters. On November 6, 2007, Lionsgate Entertainment will re-release Popeye’s Voyage on DVD with redesigned cover art.

Popeye has made brief parody appearances in modern animated productions, including The SpongeBob SquarePants Movie (2004), and the TV shows Drawn Together, Robot Chicken, South Park, The Simpsons,(in the episode "Jaws Wired Shut" for instance) and Family Guy. Popeye imitations are a frequent element of comedian Dave Coulier's routines, and were performed often during his co-starring role on the ABC sitcom Full House.

Cultural origins and impact

One historian believes Popeye was inspired from Frank "Rocky" Fiegel, a man who was handy with his fists during Segar's youth in Chester, Illinois. Fiegel was born on January 27, 1868. He lived as a bachelor his entire life and never got married. It was said that later Segar sent checks to Fiegel in the 1930s. Fiegel died on March 24, 1947 at the age of 79.

Culturally, many consider Popeye a precursor to the superheroes who would eventually come to dominate the world of comic books. Some observers of popular culture point out that the fundamental character of Popeye, paralleling that of another 1930s icon, Superman, is very close to the traditional view of how the U.S. sees itself as a nation: possessing uncompromising moral standards and resorting to force when threatened, or when he "can't stands no more" bad behavior from an antagonist.[citation needed] This theory is directly reinforced in certain cartoons, when Popeye defeats his foe while a US patriotic song; usually either "Stars and Stripes Forever", "Yankee Doodle", or "Columbia, Gem of the Ocean" plays on the soundtrack. One of Popeye's catchphrases is "I yam what I yam, and that's all that I yam," which may be seen as an expression of individualism.

Such has been Popeye's cultural impact that the medical profession sometimes refers to the biceps bulge symptomatic of a tendon rupture as the "Popeye muscle." Note however that Popeye has pronounced muscles of the forearm, not of the biceps.

At the end of his song "Kansas City Star", Roger Miller's character of a local TV kids show announcer says, "Stay tuned, we'll have a Popeye cartoon in just a minute."

The 1988 film Who Framed Roger Rabbit featured many classic cartoon characters, and the absence of Popeye (due to rights issues) was noted by some critics.

Most prominently, Popeye has been associated with the vegetable spinach, and is credited by many with popularizing the vegetable among children.

Spinach

Early references to spinach in the Fleischer cartoons and subsequently in further stories of Popeye are attributed to the publication of a study which, because of a misprint, attributed to spinach ten times its actual iron content. The error was discovered in the 1930s but not widely publicized until T.J. Hamblin wrote about it in the British Medical Journal in 1981.

The popularity of the Popeye helped boost sales of the leafy vegetable and the spinach-growing community of Crystal City, Texas erected a statue of the character in gratitude. There is another Popeye statue in Segar's hometown, Chester, Illinois, and a third in Alma, Arkansas, which claims to be "The Spinach Capital of the World", and is home to Allen Canning which markets Popeye-branded canned spinach. There is yet another statue of Popeye at Universal Orlando Resort in the Islands of Adventure theme park, which has Popeye-themed rides.

In addition to Allen Canning's Popeye spinach, Popeye Fresh Foods markets bagged, fresh spinach with Popeye characters on the package.

In 2006, when spinach contaminated with E. coli was accidentally sold to the public, many editorial cartoonists lampooned the affair with Popeye featured in their cartoons.

In the second season of the television series Heroes, during the season finale lead-in to the third volume, "Villains", the character Sylar regains his abilities, delivering the first line of the third volume: "I'm back" after he telepathically grabs a can of spinach in true Popeye-esque fashion.

Deficient English in Popeye

In the 1980s, Popeye was banned in Singapore from local TV stations because the cartoon series promoted wrong or distorted usage of English grammar.[citation needed]

Although educators in Singapore saw nothing wrong with the series, the improper use of English used by Popeye in his dialog would encourage young children to imitate its language. Among the kind of fractured English that Singaporean educators pointed out from Popeye was the use of "me" instead of "my" to describe his ownership over a certain subject. Popeye also tends to mutter under his breath more or less continuously; while walking along the street for instance, observing the various places of business, merchants, and passersby.

Events and honors

The Popeye Picnic is held every year in Chester, Illinois on the weekend after Labor Day. Popeye fans attend from across the globe, including a visit by a film crew from South Korea in 2004. The one-eyed sailor's hometown pulls out all of the stops to entertain devotees of all ages.

In honor of Popeye’s 75th anniversary, the Empire State Building illuminated its world-famous tower lights green the weekend of January 16–18, 2004 as a tribute to the icon’s enormous love of spinach. This special lighting marked the only time the Empire State Building ever celebrated the anniversary/birthday of a comic strip character.

Filmography

Theatrical cartoons

234 Popeye the Sailor cartoons were produced for theatrical release by Paramount Pictures between 1933 and 1957.

Television cartoons

• Popeye the Sailor (1960 – 1962; produced by Jack Kinney Productions, Rembrandt Films, Larry Harmon Pictures, TV Ads, and Paramount Cartoon Studios for King Features Syndicate)
• The All-New Popeye Hour (1978 – 1981, CBS; produced by Hanna-Barbera Productions)
• The Popeye and Olive Show (1981 – 1983), CBS; produced by Hanna-Barbera Productions)
• Popeye and Son (1987 – 1988, CBS; produced by Hanna-Barbera Productions)

Television specials and feature-length films

• The Popeye Valentine's Day Special - Sweethearts at Sea (1979, produced by Hanna-Barbera Productions)
• Popeye (1980 live-action film, produced by Paramount Pictures and Walt Disney Pictures, directed by Robert Altman)
• Popeye's Voyage: The Quest for Pappy (2004 telefilm, produced by Mainframe Entertainment for Lions Gate Entertainment and King Features)

Paramount's Transformers ON SHOOT

The Story of Yusuf (Joseph), as told by Qur'anic verses - 1

Dear’s Assalamu Alaikum (var)

Well n Wish the same from you. Wish you all a very HAPPY NEW YEAR 1429. Am back here with the notes about the Prophets (peace be upon them all).

All prophets (peace be upon them all), gave guidance and instruction to their people about how to properly worship God and live their lives. Since God is one, his message has been one and the same throughout time. In essence, all prophets taught the message of Islam - to find peace in your life through submission to the one almighty creator -- to believe in God and to follow his guidance.

Each of these prophets is believed to have been instructed by God to warn his community against evil and urge his people to obey God; however, only some are believed to have been sent holy books such as the Tawrat, Zabur, and Injil, and those prophets are considered "messengers". Of all the thousands of prophets, a tiny minority of these are believed to be messengers, or rasul. Only Muhammad is regarded as having undertaken a prophetic mission addressed to all of humanity rather than a specific populace.

The Quran identifies a number of men as prophets of Islam. Traditionally, five prophets are regarded as important in Islam: Nuh (Noah), Ibrahim (Abraham), Musa (Moses), Isa (Jesus) and Muhammad. Such individuals are believed by Muslims to have been assigned a special mission by God to guide mankind. In the Quran, prophets such as Moses, Jesus and Muhammad are appointed to spread the word of Allah.

And Allah has given an entire Surah (Chapter) especially for Hazrath Yusuf (pbuh). Totally 111 verses were found in this Chapter. In 99 verses continuously Yusuf (pbuh) was getting repeated. One who reads these verses get a feel like reading a Story or a History. Also few of peoples mention this as a Love Story. In this Chapter Allah says about LOVE. Allah says how much the human creature is being get affected by this LOVE. In World’s History we have seen lots of Love Stories like LAYLA – MAJNUN, SHIRIN – FARHAD, SONY – MAHIWAL & ROMEO – JULIET. Even though some couples mentioned above had truly lived in this world, most of fictions get narrated by some poets and writers and had been spread false stories about them worldwide. Also Movies had been produced and being released worldwide in most of the Languages.

In Quran, the given “YUSUF – ZULAIKHA” story is been narrated in the facts which held in the period of Yusuf (pbuh). In Quran Allah praises this love story. Allah says: We do relate unto thee the most beautiful of stories, in that We reveal to thee this (portion of the) Qur'an: before this, thou too was among those who knew it not – 12.3 Q.

Dears I am hereby posting the Entire Verses of the Chapter Joseph/Yusuf. Also a narrated Story from the Verses of the Chapter Joseph/Yusuf. Do find the same and leave your comments.

Love you All. May Allah shower Blessing on you All.

HASEEM

The Story of Yusuf (Joseph), as told by Qur'anic verses - 2

Yusuf (circa 1610 BC - 1500 BC), (Arabic: يوسف, also Yousef, Yousuf, Youssef, Yussef, Yusef, Yossef, Yousov, Yousif or Yosef), is a prophet in the Qur'an, the holy scriptures of Islam. The figure corresponds to the character from the Jewish texts and the Christian Bible as Joseph and is the Arabic variant of that name.

Although the narratives of other prophets are mentioned in various suras, the complete narrative of Joseph is given just in one surah, Surah Yusuf. However, it is said to be the most detailed narrative in the Qur'an, and bears some differences from the Biblical counterpart.

Surah 12. Joseph

1. A.L.R. These are the symbols (or Verses) of the perspicuous Book.

2. We have sent it down as an Arabic Qur'an, in order that ye may learn wisdom.

3. We do relate unto thee the most beautiful of stories, in that We reveal to thee this (portion of the) Qur'an: before this, thou too was among those who knew it not.

4. Behold! Joseph said to his father: "O my father! I did see eleven stars and the sun and the moon: I saw them prostrate themselves to me!"

5. Said (the father): "My (dear) little son! relate not thy vision to thy brothers, lest they concoct a plot against thee: for Satan is to man an avowed enemy!

6. "Thus will thy Lord choose thee and teach thee the interpretation of stories (and events) and perfect His favour to thee and to the posterity of Jacob - even as He perfected it to thy fathers Abraham and Isaac aforetime! for Allah is full of knowledge and wisdom."

7. Verily in Joseph and his brethren are signs (or symbols) for seekers (after Truth).

8. They said: "Truly Joseph and his brother are loved more by our father than we: But we are a goodly body! really our father is obviously wandering (in his mind)!

9. "Slay ye Joseph or cast him out to some (unknown) land, that so the favour of your father may be given to you alone: (there will be time enough) for you to be righteous after that!"

10. Said one of them: "Slay not Joseph, but if ye must do something, throw him down to the bottom of the well: he will be picked up by some caravan of travellers."

11. They said: "O our father! why dost thou not trust us with Joseph,- seeing we are indeed his sincere well-wishers?

12. "Send him with us tomorrow to enjoy himself and play, and we shall take every care of him."

13. (Jacob) said: "Really it saddens me that ye should take him away: I fear lest the wolf should devour him while ye attend not to him."

14. They said: "If the wolf were to devour him while we are (so large) a party, then should we indeed (first) have perished ourselves!"

15. So they did take him away, and they all agreed to throw him down to the bottom of the well: and We put into his heart (this Message): 'Of a surety thou shalt (one day) tell them the truth of this their affair while they know (thee) not'

16. Then they came to their father in the early part of the night, weeping.

17. They said: "O our father! We went racing with one another, and left Joseph with our things; and the wolf devoured him.... But thou wilt never believe us even though we tell the truth."

18. They stained his shirt with false blood. He said: "Nay, but your minds have made up a tale (that may pass) with you, (for me) patience is most fitting: Against that which ye assert, it is Allah (alone) Whose help can be sought"..

19. Then there came a caravan of travellers: they sent their water-carrier (for water), and he let down his bucket (into the well)...He said: "Ah there! Good news! Here is a (fine) young man!" So they concealed him as a treasure! But Allah knoweth well all that they do!

20. The (Brethren) sold him for a miserable price, for a few dirhams counted out: in such low estimation did they hold him!

21. The man in Egypt who bought him, said to his wife: "Make his stay (among us) honourable: may be he will bring us much good, or we shall adopt him as a son." Thus did We establish Joseph in the land, that We might teach him the interpretation of stories (and events). And Allah hath full power and control over His affairs; but most among mankind know it not.

22. When Joseph attained His full manhood, We gave him power and knowledge: thus do We reward those who do right.

23. But she in whose house he was, sought to seduce him from his (true) self: she fastened the doors, and said: "Now come, thou (dear one)!" He said: "(Allah) forbid! truly (thy husband) is my lord! he made my sojourn agreeable! truly to no good come those who do wrong!"

24. And (with passion) did she desire him, and he would have desired her, but that he saw the evidence of his Lord: thus (did We order) that We might turn away from him (all) evil and shameful deeds: for he was one of Our servants, sincere and purified.

25. So they both raced each other to the door, and she tore his shirt from the back: they both found her lord near the door. She said: "What is the (fitting) punishment for one who formed an evil design against thy wife, but prison or a grievous chastisement?"

26. He said: "It was she that sought to seduce me - from my (true) self." And one of her household saw (this) and bore witness, (thus):- "If it be that his shirt is rent from the front, then is her tale true, and he is a liar!

27. "But if it be that his shirt is torn from the back, then is she the liar, and he is telling the truth!"

28. So when he saw his shirt,- that it was torn at the back,- (her husband) said: "Behold! It is a snare of you women! truly, mighty is your snare!

29. "O Joseph, pass this over! (O wife), ask forgiveness for thy sin, for truly thou hast been at fault!"

30. Ladies said in the City: "The wife of the (great) 'Aziz is seeking to seduce her slave from his (true) self: Truly hath he inspired her with violent love: we see she is evidently going astray."

31. When she heard of their malicious talk, she sent for them and prepared a banquet for them: she gave each of them a knife: and she said (to Joseph), "Come out before them." When they saw him, they did extol him, and (in their amazement) cut their hands: they said, "(Allah) preserve us! no mortal is this! this is none other than a noble angel!"

32. She said: "There before you is the man about whom ye did blame me! I did seek to seduce him from his (true) self but he did firmly save himself guiltless!....and now, if he doth not my bidding, he shall certainly be cast into prison, and (what is more) be of the company of the vilest!"

33. He said: "O my Lord! the prison is more to my liking than that to which they invite me: Unless Thou turn away their snare from me, I should (in my youthful folly) feel inclined towards them and join the ranks of the ignorant."

34. So his Lord hearkened to him (in his prayer), and turned away from him their snare: Verily He heareth and knoweth (all things).

35. Then it occurred to the men, after they had seen the signs, (that it was best) to imprison him for a time.

36. Now with him there came into the prison two young men. Said one of them: "I see myself (in a dream) pressing wine." said the other: "I see myself (in a dream) carrying bread on my head, and birds are eating, thereof." "Tell us" (they said) "The truth and meaning thereof: for we see thou art one that doth good (to all)."

37. He said: "Before any food comes (in due course) to feed either of you, I will surely reveal to you the truth and meaning of this ere it befall you: that is part of the (duty) which my Lord hath taught me. I have (I assure you) abandoned the ways of a people that believe not in Allah and that (even) deny the Hereafter.

38. "And I follow the ways of my fathers,- Abraham, Isaac, and Jacob; and never could we attribute any partners whatever to Allah. that (comes) of the grace of Allah to us and to mankind: yet most men are not grateful.

39. "O my two companions of the prison! (I ask you): are many lords differing among themselves better, or the One Allah, Supreme and Irresistible?

40. "If not Him, ye worship nothing but names which ye have named,- ye and your fathers,- for which Allah hath sent down no authority: the command is for none but Allah. He hath commanded that ye worship none but Him: that is the right religion, but most men understand not...

41. "O my two companions of the prison! As to one of you, he will pour out the wine for his lord to drink: as for the other, he will hang from the cross, and the birds will eat from off his head. (so) hath been decreed that matter whereof ye twain do enquire"...

42. And of the two, to that one whom he consider about to be saved, he said: "Mention me to thy lord." But Satan made him forget to mention him to his lord: and (Joseph) lingered in prison a few (more) years.

43. The king (of Egypt) said: "I do see (in a vision) seven fat kine, whom seven lean ones devour, and seven green ears of corn, and seven (others) withered. O ye chiefs! Expound to me my vision if it be that ye can interpret visions."

44. They said: "A confused medley of dreams: and we are not skilled in the interpretation of dreams."

45. But the man who had been released, one of the two (who had been in prison) and who now bethought him after (so long) a space of time, said: "I will tell you the truth of its interpretation: send ye me (therefore)."

46. "O Joseph!" (he said) "O man of truth! Expound to us (the dream) of seven fat kine whom seven lean ones devour, and of seven green ears of corn and (seven) others withered: that I may return to the people, and that they may understand."

47. (Joseph) said: "For seven years shall ye diligently sow as is your wont: and the harvests that ye reap, ye shall leave them in the ear,- except a little, of which ye shall eat.

48. "Then will come after that (period) seven dreadful (years), which will devour what ye shall have laid by in advance for them,- (all) except a little which ye shall have (specially) guarded.

49. "Then will come after that (period) a year in which the people will have abundant water, and in which they will press (wine and oil)."

50. So the king said: "Bring ye him unto me." But when the messenger came to him, (Joseph) said: "Go thou back to thy lord, and ask him, 'What is the state of mind of the ladies who cut their hands'? For my Lord is certainly well aware of their snare."

51. (The king) said (to the ladies): "What was your affair when ye did seek to seduce Joseph from his (true) self?" The ladies said: "(Allah) preserve us! no evil know we against him!" Said the 'Aziz's wife: "Now is the truth manifest (to all): it was I who sought to seduce him from his (true) self: He is indeed of those who are (ever) true (and virtuous).

52. "This (say I), in order that He may know that I have never been false to him in his absence, and that Allah will never guide the snare of the false ones.

53. "Nor do I absolve my own self (of blame): the (human) soul is certainly prone to evil, unless my Lord do bestow His Mercy: but surely my Lord is Oft- forgiving, Most Merciful."

54. So the king said: "Bring him unto me; I will take him specially to serve about my own person." Therefore when he had spoken to him, he said: "Be assured this day, thou art, before our own presence, with rank firmly established, and fidelity fully proved!

55. (Joseph) said: "Set me over the store-houses of the land: I will indeed guard them, as one that knows (their importance)."

56. Thus did We give established power to Joseph in the land, to take possession therein as, when, or where he pleased. We bestow of our Mercy on whom We please, and We suffer not, to be lost, the reward of those who do good.

57. But verily the reward of the Hereafter is the best, for those who believe, and are constant in righteousness.

58. Then came Joseph's brethren: they entered his presence, and he knew them, but they knew him not.

59. And when he had furnished them forth with provisions (suitable) for them, he said: "Bring unto me a brother ye have, of the same father as yourselves, (but a different mother): see ye not that I pay out full measure, and that I do provide the best hospitality?

60. "Now if ye bring him not to me, ye shall have no measure (of corn) from me, nor shall ye (even) come near me."

61. They said: "We shall certainly seek to get our wish about him from his father: Indeed we shall do it."

62. And (Joseph) told his servants to put their stock-in-trade (with which they had bartered) into their saddle-bags, so they should know it only when they returned to their people, in order that they might come back.

63. Now when they returned to their father, they said: "O our father! No more measure of grain shall we get (unless we take our brother): So send our brother with us, that we may get our measure; and we will indeed take every care of him."

64. He said: "Shall I trust you with him with any result other than when I trusted you with his brother aforetime? But Allah is the best to take care (of him), and He is the Most Merciful of those who show mercy!"

65. Then when they opened their baggage, they found their stock-in-trade had been returned to them. They said: "O our father! What (more) can we desire? this our stock-in-trade has been returned to us: so we shall get (more) food for our family; We shall take care of our brother; and add (at the same time) a full camel's load (of grain to our provisions). This is but a small quantity.

66. (Jacob) said: "Never will I send him with you until ye swear a solemn oath to me, in Allah.s name, that ye will be sure to bring him back to me unless ye are yourselves hemmed in (and made powerless). And when they had sworn their solemn oath, he said: "Over all that we say, be Allah the witness and guardian!"

67. Further he said: "O my sons! enter not all by one gate: enter ye by different gates. Not that I can profit you aught against Allah (with my advice): None can command except Allah. On Him do I put my trust: and let all that trust put their trust on Him."

68. And when they entered in the manner their father had enjoined, it did not profit them in the least against (the plan of) Allah. It was but a necessity of Jacob's soul, which he discharged. For he was, by our instruction, full of knowledge (and experience): but most men know not.

69. Now when they came into Joseph's presence, he received his (full) brother to stay with him. He said (to him): "Behold! I am thy (own) brother; so grieve not at aught of their doings."

70. At length when he had furnished them forth with provisions (suitable) for them, he put the drinking cup into his brother's saddle-bag. Then shouted out a crier: "O ye (in) the caravan! behold! ye are thieves, without doubt!"

71. They said, turning towards them: "What is it that ye miss?"

72. They said: "We miss the great beaker of the king; for him who produces it, is (the reward of) a camel load; I will be bound by it."

73. (The brothers) said: "By Allah. well ye know that we came not to make mischief in the land, and we are no thieves!"

74. (The Egyptians) said: "What then shall be the penalty of this, if ye are (proved) to have lied?"

75. They said: "The penalty should be that he in whose saddle-bag it is found, should be held (as bondman) to atone for the (crime). Thus it is we punish the wrong- doers!"

76. So he began (the search) with their baggage, before (he came to) the baggage of his brother: at length he brought it out of his brother's baggage. Thus did We plan for Joseph. He could not take his brother by the law of the king except that Allah willed it (so). We raise to degrees (of wisdom) whom We please: but over all endued with knowledge is one, the All-Knowing.

77. They said: "If he steals, there was a brother of his who did steal before (him)." But these things did Joseph keep locked in his heart, revealing not the secrets to them. He (simply) said (to himself): "Ye are the worse situated; and Allah knoweth best the truth of what ye assert!"

78. They said: "O exalted one! Behold! he has a father, aged and venerable, (who will grieve for him); so take one of us in his place; for we see that thou art (gracious) in doing good."

79. He said: "(Allah) forbid that we take other than him with whom we found our property: indeed (if we did so), we should be acting wrongfully.

80. Now when they saw no hope of his (yielding), they held a conference in private. The leader among them said: "Know ye not that your father did take an oath from you in Allah.s name, and how, before this, ye did fail in your duty with Joseph? Therefore will I not leave this land until my father permits me, or Allah commands me; and He is the best to command.

81. "Turn ye back to your father, and say, 'O our father! behold! thy son committed theft! we bear witness only to what we know, and we could not well guard against the unseen!

82. "'Ask at the town where we have been and the caravan in which we returned, and (you will find) we are indeed telling the truth.'"

83. Jacob said: "Nay, but ye have yourselves contrived a story (good enough) for you. So patience is most fitting (for me). Maybe Allah will bring them (back) all to me (in the end). For He is indeed full of knowledge and wisdom."

84. And he turned away from them, and said: "How great is my grief for Joseph!" And his eyes became white with sorrow, and he fell into silent melancholy.

85. They said: "By Allah. (never) wilt thou cease to remember Joseph until thou reach the last extremity of illness, or until thou die!"

86. He said: "I only complain of my distraction and anguish to Allah, and I know from Allah that which ye know not...

87. "O my sons! go ye and enquire about Joseph and his brother, and never give up hope of Allah.s Soothing Mercy: truly no one despairs of Allah.s Soothing Mercy, except those who have no faith."

88. Then, when they came (back) into (Joseph's) presence they said: "O exalted one! distress has seized us and our family: we have (now) brought but scanty capital: so pay us full measure, (we pray thee), and treat it as charity to us: for Allah doth reward the charitable."

89. He said: "Know ye how ye dealt with Joseph and his brother, not knowing (what ye were doing)?"

90. They said: "Art thou indeed Joseph?" He said, "I am Joseph, and this is my brother: Allah has indeed been gracious to us (all): behold, he that is righteous and patient,- never will Allah suffer the reward to be lost, of those who do right."

91. They said: "By Allah. indeed has Allah preferred thee above us, and we certainly have been guilty of sin!"

92. He said: "This day let no reproach be (cast) on you: Allah will forgive you, and He is the Most Merciful of those who show mercy!

93. "Go with this my shirt, and cast it over the face of my father: he will come to see (clearly). Then come ye (here) to me together with all your family."

94. When the caravan left (Egypt), their father said: "I do indeed scent the presence of Joseph: Nay, think me not a dotard."

95. They said: "By Allah. truly thou art in thine old wandering mind."

96. Then when the bearer of the good news came, He cast (the shirt) over his face, and he forthwith regained clear sight. He said: "Did I not say to you, 'I know from Allah that which ye know not?'"

97. They said: "O our father! ask for us forgiveness for our sins, for we were truly at fault."

98. He said: "Soon will I ask my Lord for forgiveness for you: for he is indeed Oft-Forgiving, Most Merciful."

99. Then when they entered the presence of Joseph, he provided a home for his parents with himself, and said: "Enter ye Egypt (all) in safety if it please Allah."

100. And he raised his parents high on the throne (of dignity), and they fell down in prostration, (all) before him. He said: "O my father! this is the fulfilment of my vision of old! Allah hath made it come true! He was indeed good to me when He took me out of prison and brought you (all here) out of the desert, (even) after Satan had sown enmity between me and my brothers. Verily my Lord understandeth best the mysteries of all that He planneth to do, for verily He is full of knowledge and wisdom.

101. "O my Lord! Thou hast indeed bestowed on me some power, and taught me something of the interpretation of dreams and events,- O Thou Creator of the heavens and the earth! Thou art my Protector in this world and in the Hereafter. Take Thou my soul (at death) as one submitting to Thy will (as a Muslim), and unite me with the righteous."

102. Such is one of the stories of what happened unseen, which We reveal by inspiration unto thee; nor wast thou (present) with them then when they concerted their plans together in the process of weaving their plots.

103. Yet no faith will the greater part of mankind have, however ardently thou dost desire it.

104. And no reward dost thou ask of them for this: it is no less than a message for all creatures.

105. And how many Signs in the heavens and the earth do they pass by? Yet they turn (their faces) away from them!

106. And most of them believe not in Allah without associating (other as partners) with Him!

107. Do they then feel secure from the coming against them of the covering veil of the wrath of Allah,- or of the coming against them of the (final) Hour all of a sudden while they perceive not?

108. Say thou: "This is my way: I do invite unto Allah,- on evidence clear as the seeing with one's eyes,- I and whoever follows me. Glory to Allah. and never will I join gods with Allah."

109. Nor did We send before thee (as apostles) any but men, whom we did inspire,- (men) living in human habitations. Do they not travel through the earth, and see what was the end of those before them? But the home of the hereafter is best, for those who do right. Will ye not then understand?

110. (Respite will be granted) until, when the apostles give up hope (of their people) and (come to) think that they were treated as liars, there reaches them Our help, and those whom We will are delivered into safety. But never will be warded off our punishment from those who are in sin.

111. There is, in their stories, instruction for men endued with understanding. It is not a tale invented, but a confirmation of what went before it,- a detailed exposition of all things, and a guide and a mercy to any such as believe.